There was a time in my life when if you’d asked me what I
wanted to do for a career and excluded all ridiculous things like professional
basketball player and Will Smith’s best friend, there’s a decent chance I would
have told you civil rights historian. This was a short period of time, mind
you, because I soon learned that to be a historian you had to spend a LOT of
time studying which was never my strong suit. Even if I managed to master the
art of studying, between interviews for features on the History Channel and the
extras they put on disc two of a special edition DVD that no one watches, I
would have to do something else like teach History or manage a museum, neither
of which held any interest for me. Still, I’ve long held an interest in civil
rights and I can very rarely resist a film or book centered on this topic no
matter how historically inaccurate it may be. I didn’t read “The Help” (because
if I don’t stand up to Oprah’s immeasurable power then no one will) but my wife
did and I kept the film adaptation on my radar as a result. My attention was
rewarded with one of the better films of the year and one that will certainly
garner plenty of attention when Award Season rolls around.
After her college graduation, Skeeter Phelan (Emma Stone)
returns home to Jackson, Mississippi with a new job and a new outlook on life.
She soon finds, however, that she is much different from her group of childhood
friends, particularly their leader, Hilly Holbrook (Bryce Dallas-Howard). Looking
to make a name for herself as a journalist, Skeeter begins interviewing two
lifelong maids, Aibileen (Viola Davis) and Minnie (Octavia Spencer), in hopes
of putting together a book written from the perspective of the help. In the
very midst of the civil rights movement, Skeeter’s book (and those who lent
their voices to its creation) becomes a hot button issue that has much more
impact than even Skeeter could have imagined.
The narrative of “The Help” is engrossing and relevant.
Very rarely does a film grab my attention on an emotional level as quickly as this
one did. While I am a self-professed cry baby, I usually don’t have to fight
the urge to weep within minutes of the opening credits like I did this time
around. “The Help” is emotionally charged but in an organic way that doesn’t
feel forced. Given that this is the first real film for writer/director Tate
Taylor, I was a little concerned going in that he would overload the audience
with fake emotionalism. That’s an easy trap to fall into but Taylor navigates
around the typical “tug at your heartstrings” pitfalls with the panache of a
much more experienced hand. The script is strong, providing natural moments for
both laughs and tears. Taylor’s characters are extremely well defined; they
know who they are and so does the audience and through that, their personal
evolutions are much more meaningful. He also takes great pains to avoid the vilification
of most of the white characters. What I mean by this is that it would have been
very easy (because it’s been done a hundred million times before) to turn all
of the white characters aside from Skeeter into vile, racist scumbags one step
away from membership in the KKK. Instead, Taylor illustrates the ignorance and
the cultural failings that many people would exhibit in 1960’s Jackson,
Mississippi. Skeeter seems more open minded than her counterparts and that, I
feel, leads the film away from becoming a prolonged celebration of the white
woman who led the way and allows for more focus on the true stars of the show, Aibileen
and Minnie.
The cast of “The Help” is exquisite, almost perfect
across the board. Bryce Dallas-Howard makes Hilly sufficiently hateable and as
the only character in the film that is truly a bad (or even evil) person, she’s
asked to carry a lot of the load. It is somewhat of a one-note character, truth
be told, but Dallas-Howard maximizes her screen time and shows just what a
force she will one day be. Allison Janie and Sissy Spacek are both excellent in
limited screen time with Spacek providing quality comedy and Janie embodying
the change that Skeeter hopes to provoke. As a social outcast, Jessica Chastain
is absolutely dynamic. She brings a presence to the screen that is eerily
similar to that of a young Julia Roberts (incredibly high praise in my book).
Stone isn’t overly impressive but then again, she isn’t much to work with.
Every time she is called upon to carry a scene she does so beautifully but “The
Help” really isn’t about Skeeter and as such, Stone isn’t asked to do much.
In the end, the power of “The Help” comes down to the
performances of Davis and Spencer, both of whom are MAGNIFICENT. Aibileen and
Minnie are wholly different but together they form a brilliant team. Aibileen
exhibits quiet strength; she says little but when she does speak, it is always
worthwhile; she misses nothing and the years of witnessing the changes in the
children she’s raised have clearly worn on her. Minnie, meanwhile, is filled to
the brim with sass; she is quick to speak and even quicker to lash out with
hilarious if truly unfortunate methods; she is hard but not unsympathetic to
those around her. Both of these actresses absolutely nail their parts and bring
humanity to the struggle for equality that is often, quite frankly, lost in
many civil rights films. Both seem born to play their parts and both deserve
the accolades which will undoubtedly come their way.
“The Help” tells a sprawling tale, though at times at
times it deviates a little too much from what makes it special and becomes a
bit long winded. I imagine readers of the book will enjoy the tangents (such as
a love interest for Skeeter) more than I did but still, the transition from
second to third act is a little sluggish. That said I found “The Help” to be
bold and compelling, a human drama that pulls the audience in and doesn’t let
go until the final credits roll. It shines a light on an underexposed segment
of the fight for civil rights and portrays its subjects not as larger than life
heroes but instead real people with genuine courage.
Grade: A-
How is “hateable” not a word?
Brian
Great review of a great flick. I think you nailed the performances. This one is sure to be one of my go-to movies.
ReplyDeleteAppalling, entertaining, touching and perhaps even a bit healing, The Help is an old-fashioned grand yarn of a film, the sort we rarely get these days. Good Review!
ReplyDeleteReally a quality film. Glad it got the returns that it did.
ReplyDelete