Monday, January 17, 2011
Despite its sports setting, “The Fighter” is, for all intents and purposes, a character study. It’s kind of the exact opposite of a Jerry Bruckheimer production: 90 percent story and development, 10 percent action. At times that causes the film to move a bit slower than I was prepared for, resulting in a 115 minute runtime that feels a bit more like 150 minutes. It isn’t boring by any means but the pace is steady and deliberate. As such, much is asked of and delivered by the leads. You could not ask for better crafted or portrayed characters than Micky, Dick, Alice, and Charlene and therefore, Wahlberg, Bale, Leo, and Adams. All four of these esteemed actors give masterful performances that should be counted among their finest works. Wahlberg brings quiet intensity to Micky, a trait that makes his immediately likeable. You can’t help but root for Micky because that feeling comes upon you organically rather than being forced down your throat. Alice, on the other hand, is cold and harsh and Leo perfectly illustrates the balance between loving mother and icy businesswoman. On some level, you dislike Alice the way you do those obsessive stage moms who force their kids into pageants but you’re also left to wonder what you might do in her shoes. If Wahlberg provides the quiet drive behind the film, Adams gives it its voice and backbone. Charlene is unapologetically foul-mouthed and strong willed and it is her push that allows Micky to do something for himself. Micky’s life outside of the ring is as much a fight as it is inside of it and that is displayed beautifully in the conflict between Charlene and the rest of the family.
All of these performances, however, pale in comparison to the work done by Bale. Every time he stepped on screen I was fixated on him. I sat mesmerized as he ran the gamut of emotions that rule an addict’s life, the ups and the downs, the delusions of quitting and the calm of the high. His mannerisms, speech, and behaviors are all textbook junkie, giving heartbreakingly authentic life to Dick Eklund and the film as a whole. The scene in which Dick realizes what he’s done to his family and particularly his young son is one of the more haunting, gut-punching moments in recent film history. Simply put, Bale owns every scene that he’s in and you are undeniably reminded of what outstanding work this guy is truly capable of.
On the down side, I found some of the filmmaking aspects of “The Fighter” to be below par. The sound and video editing were a bit off and at times even the color was tinted poorly. While the boxing scenes were excellent (you can tell that extensive work was put in to make these shots look as realistic as possible), I felt like they could have used a little more production to help build the in-ring drama to match what happens outside of it. The final fight ends somewhat anticlimactically which brought with it a touch of disappointment. On some level, I think the performances are better than “The Fighter” itself and overshadow the film as a whole.
These negatives, however, in no way take away from the overall impact of this movie. Director David O. Russell put together a brilliant film and brought attention to a story that badly needed telling. The realism of “The Fighter” combined with the powerful performances would make it a tough contender to beat for just about any other sports movie. It is an outstanding achievement and one that will not be forgotten soon.
Boxing may be favorite sport in the movies,