1.)
I hate bad dialogue and stupid plot points and
many (or most) scary movies depend on both of these weaknesses;
2.)
I’m not a fan of gore and superfluous blood and
while I can accept it in a war movie or justify it as “real or gritty
filmmaking”, I can’t handle it at the hands of Jigsaw or Stephen Dorff in Blade;
3.)
The combination of mild insomnia and ADD makes
it hard enough for me to get to sleep at night without wondering if Freddy
Krueger or the ghost from Paranormal
Activity are waiting for me in my closet, thank you very much.
I’ve seen my fair share of scary movies, though, because
that’s what you do when you’re hanging out with your friends on a Saturday
night and you’re not cool enough to be invited to the raging party that you
didn’t want to go to, anyway, so you’re glad you weren’t included. (No
bitterness here in the least.) One of the horror movies that made its way into
my viewing history somewhere along the line is John Carpenter’s The Thing which I hold up as one of the
best the genre has to offer. The idea of a prequel/remake of that film (which
is itself a remake of a 1951 version) appealed to me more than any horror movie
has in a very long time and while it certainly doesn’t live up to its
predecessor, I must say I don’t understand the heat The Thing has taken critically since its release.
In 1982, a near accident in Antarctica leads to a
startling discovery: buried deep beneath the ice lays an alien space craft and
the body of one extraterrestrial. Kate Lloyd (Mary Elizabeth Winstead), a paleontologist
with a friend connected to the discovery, is called in to examine the body and
help with the excavation. It is a career-making find and one that brings great
joy to all the inhabitants of the Norwegian research station where the thing is
brought…until it reawakens from its slumber. As the creature creates havoc
throughout the facility, Kate soon discovers that it spawns by eating its prey
(human or otherwise) and pushing out a replicate copy, leading her to realize
that not everyone within the small group is human. As a strong storm pushes in,
Kate and American pilot Sam Carter (Joel Edgerton) must fight to destroy the
thing before it can find its way to more populated areas.
The Thing can’t decide whether it’s a
remake or a prequel and that is both the concept that made it interesting to me
in the first place and keeps it from reaching its potential once the opening
credits roll. It struggles to find its own path while paying homage to a
classic and seems stuck within said classic instead of creating new material to
work with. As far as scares go, it is lackluster, relying entirely on special
effects rather than tension to convey the horror. I think at least some of the
blame for this, however, is due to the fact that we’ve become desynthesized.
The terror within this version of The
Thing is very similar to that within John Carpenter’s version and yet it
falls flat at least in part because what scared us in 1982 doesn’t hold the
same weight in 2011. I also think that this version is really more of a sci-fi
film with a little horror mixed in while I consider the ’82 film to be the
exact opposite, a horror movie with a sci-fi undercurrent. If director Mattijs
van Heijningen would have delved into the more science fiction-y elements of
his film, it could have created its own identity but again, I don’t think he
was given the chance to differentiate from the ’82 version.
That said, these issues don’t make The Thing a bad movie. It is a perfectly reasonable sci-fi-horror flick
that creates a sufficiently dark and creepy landscape and some thrilling if
unspectacular action sequences. The actors all perform admirably though like
most scary movies, they are hamstrung by ho-hum dialogue and plot points that
don’t provide many opportunities to really act.
I’ve spoken often of my affection for Edgerton and Winstead is, in my mind, a
star in the making. Neither will be able to point to this film as a career
highlight on their respective resumes but neither will they need to dread the
negative impact that more than a handful of talented up-and-comers have felt
when appearing in a horror film. All told, this may not be the scare-fest some
people had hoped for but I think it is of high enough quality to make it worth
my Friday night investment.
Grade: B
Joel Edgerton will win a major film industry award at
some point,
Brian
I like the poster. I hadn't seen it before.
ReplyDeletea "B" means, for a horror movie, it's worth a shot. I haven't seen the original and intend to watch this new one and review it in that light, and THEN watch the original.
I have read other reviews stating exactly what you said in referring to the plot's indecisiveness at being a remake or a prequel.
Nice Review Brian!
Yeah, I LOVE that poster. It's for the 82 version but I liked it so much I couldn't not use it.
ReplyDeleteIt’s no great thing, just a better Thing than expected. It’s not incredibly scary but has the same tense and paranoid feel that the Carpenter version went for, and it works in a way. The problem is that on own it’s own, it doesn’t really work. Good review.
ReplyDeleteLove the tone of the film, even if the last third gives too much away.
ReplyDeleteAnd I don't know about Edgerton as a talent yet, but there is this sort of tough benevolence to him that might hook audiences someday.
@Dan, agreed.
ReplyDelete@Paolo, Edgerton's work in Animal Kingdom and Warrior are any to convince me. But then again I've been a fan of his for a while. Thanks for the comment!