Whether or not you’re a Statham, you have to give the guy
some credit for milking his moment in the sun for all its worth. He is, shall
we say, limited as an actor and his work is far from varied. He is, however,
very, very good at what he does and he has now put together a decade of titles
in which he has cracked skulls with the best of them. Statham has experienced a
longevity that I never would have imagined and he shows no signs of being slowed
down by stinkers like Killer Elite or
In the Name of the King (*shudder*).
More than anything else, the man is likeable and as such, we (read: “I”) keep
coming back to his films unquestioningly, almost absentmindedly. “Statham has a
new movie? Welp, I guess I’ll be seeing that at some point” is a sentence I’ve
said to myself a dozen times over the last few years. I never expect much, and
many times I come away unimpressed, but I always come back for more.
Safe might just
be the best movie Statham has headlined to date. It has a slightly different
tone to it than, say, The Transporter in
that it is far less concerned with style and one-liners. Instead, Safe has a surprisingly good plot with
which to work and takes a few twists that I did not see coming. It doesn’t take
itself too seriously (thankfully) and it isn’t what you would call “sophisticated”
but there’s a well-rounded script at play here that continually puts Wright and
Mei in better-than-average situations. Wright is a strong character and he
displays a depth that you don’t usually get with Statham. Mei is a quality
compliment to Wright and she is a fitting spark for his rejuvenation.
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