Running concurrently with the events of The Bourne Ultimatum, Legacy finds the CIA attempting to tie
up all loose ends of their super-agent program known as Outcome that
essentially used Bourne to develop a scientific method for genetic
modification. All Outcome agents are quickly disposed of save for one: Aaron
Cross (Jeremy Renner), a rebellious sort of lone wolf who is suddenly forced to
go on the run and fight against the organization that made him who he is. In
need of a final genetic procedure, Cross travels across the country to come to
the aid of Dr. Marta Shearing (Rachel Weisz), an Outcome lab rat who has
herself run afoul of the CIA. With the head of the agency, Colonel Eric Byer
(Edward Norton), hot on their tails, Cross and Shearing make a trek across the
world in order to perform the procedure Cross desperately needs and give
themselves a fighting chance of taking on the CIA.
The best thing I can say about The Bourne Legacy is that it tries. It tries very hard, in fact.
Tony Gilroy, who wrote the screenplays for all of the previous Bourne films, clearly wants his film to
be better than the previous entries and the failures herein have nothing to do
with his effort. Likewise, the performances of the respective cast members are
all of high quality. Norton excels when given the opportunity though he is
underutilized and suffers from a character that should be bigger than it is.
Weisz proves herself a valuable member of the cast and supersedes the one dimensional
damsel in distress that I generally expect from this sort of role. Her character
has a purpose and she brings it to life appropriately. More than anyone else,
Renner acclimates himself to his role quite well and carries on in the
tradition of Jason Bourne with flair. Renner shows off a range of abilities
including action star potential and one scene in which he makes you forget you’re
watching a summer blockbuster and instead remember his Academy Award-nominated
turn in The Town.
That’s about where the positives end, however. All of
Gilroy’s efforts to create a significant action thriller are for naught due to
the listless nature of the pace and the overly complex narrative that sucks the
life out of the better action sequences. Legacy
takes FAR too long to gain traction and start moving and once it does it’s
difficult as a viewer to switch gears. Gilroy needs a solid hour to explain his
plot before we can get down to the action-centric entertainment we expect from
this film. I can enjoy a complex action film as much as the next guy but
whereas the original Bourne trilogy
excelled in combining plot with action, Legacy
just stymies itself over and over. The script is kind of a mess to be honest
and plays out like the Michael Clayton
of Bourne films, a comparison that seems lazy considering that film is Gilroy’s
claim to fame but is also completely fitting. There are some great action
sequences in which Renner is fantastic but they are almost always swallowed up
by an abyss of boring and seemingly needless plot complications that don’t
serve a purpose. I believe Gilroy set out to make a thinking man’s action movie
and instead created an incredible film to nap through on a Sunday afternoon if
not for a few noisy interruptions.
As I seem to find myself typing far too often this year, Legacy isn’t a bad film. There are
inspired moments and I think it’s worth seeing if only to catch Renner upping
his physical game. Above all else, it lays the groundwork for future
installments in the series which I have to believe will be much better than
this one is and will hopefully bring Damon and Renner together for a round of
pure, unadulterated awesomeness.
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