There isn’t just a whole lot that can be said about Goon other than this: it is fun. Not an
excessive, “I can’t wait to see that again” amount of fun but a reasonable, “This
just popped up on HBO and I have 90 minutes to kill” amount of fun. The movie
doesn’t have much of an agenda and there isn’t much of a plot to speak of, but
it sets out to cover the life of a minor league hockey enforcer and it does
that quite well. I’ve never been much of a hockey guy so I have no idea where
this movie ends up on the “realistic” scale but it is at least as believable as
The Mighty Ducks which is, I think we
can all agree, the gold standard for hockey movies. (I’m half kidding there.) Goon is predictable and overtly
paint-by-numbers but it is not without charm and it handles its subject matter
with a light-hearted affection.
What is not predictable about this movie is the strength
of the performances provided by the leads. Scott is, in my opinion, one of the
more underrated comedic actors of his generation. He’ll never be taken all that
seriously because his most widely-known character (Stifler from American Pie) is an over-the-top,
offensive buffoon but I’ve always been impressed with his timing and his
ability to make a movie or scene funny when it really shouldn’t be. (Case in
point: Cop Out.) Here he turns Doug
into a likeable and appealing hero, a very important aspect in an underdog
sports movie. Baruchel’s hockey fanatic with a Wayne’s World-like cable access
TV show is ridiculous and absurd but he is nonetheless an entertaining and dare
I say essential part of the film’s equation. And Schreiber, truly one of the
great character actors of our time, contributes a solid and believably menacing
performance that provides the genial Doug with a much meaner counterpart. I’m
not arguing that Scott, Baruchel, or Schreiber should be given consideration
during award season but the truth of the matter is low-rent comedies like this
one are often rife with mailed-in, half-hearted performances. Instead, Goon offers stars that seem invested in
the material and the film benefits substantially from their interest.
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