Much like Crowe himself, I am borderline obsessed with
the grunge era. I think Nirvana saved music and you can’t convince me
otherwise. Pearl Jam is probably my favorite band going right now and so for
me, PJ20 was an outstanding way to
spend two hours. This isn’t exactly the in-depth, investigative sort of
documentary that many critics were hoping for. Rather, it’s almost a love
letter to the band and the music of the era from a fan to the fans. And
personally, I’m okay with that. It was thrilling to catch a glimpse of the
inner workings of the band and the history of how they came together. I’ve read
some of this information before but it’s different to actually watch the band
talk about themselves and about their music. The grunge era is such a fascinating,
exciting subject and Crowe’s ability to weave together the various elements he
uses to tell Pearl Jam’s story is incredible.
The early days of the band are of particular interest as
Crowe examines the way in which the members of the group came together and the work
that led to their breakout album, Ten.
Through the various interviews and video clips, you are able to get a real feel
for the brotherhood not just among the members of Pearl Jam but also among all
members of the Seattle music scene, regardless of band affiliation. In one
clip, Chris Cornell (Soundgarden) stated that his musician friends from New
York couldn’t believe how supportive each band was of the next; New York bands
viewed themselves as competitors while the grunge acts saw themselves as parts
of a whole. In many ways, that feeling of togetherness is representative of a
movement that was embraced by millions of (young) people from different walks
of life who felt disenfranchised by society in general, let alone the crap that
dominated the airwaves at the time.
One of the more intriguing parts of the film is the way
in which it displays the changes in the both the personalities of the band
members and the music they put together. As PJ20
progresses, you witness the evolution of both band and individual. Front man
Eddie Vedder is almost out of control in early footage, both on and off stage.
There’s a sense of frustration, almost rage, that pours through in every song.
Later concert footage and interviews show a much more controlled and mature man
who has traded anger for political and social angst but one who still knows how
to put on an incredible show and make fantastic music. It was engrossing for me
to watch the changes take place over the course of 20 years and brought a new
appreciation for some of the band’s music that I haven’t always been as
impressed with.
If nothing else (and perhaps above all else), PJ20 offers up an enthralling anthology
of Pearl Jam on stage. The concert footage is exquisitely cut and distributed
throughout the runtime so that it never becomes a true concert film but also
never allows the viewer to forget that these guys represent a powerhouse on the
stage. The mix of early footage with more recent shots (including an IMPECCABLE
performance of Release from a few
years ago) provides a powerful sampling of the truly special body of work Pearl
Jam has put together over the years. I would have loved for Crowe to delve
deeper into the middle years of the band in which there was an apparent, if
unspoken, conflict between the band members or give more insight into the
origins of some of Pearl Jam’s more popular songs. But as it stands, PJ20 provides a beautiful and heartfelt
look at one of the world’s most prolific rock bands.
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