Friday, June 3, 2011

New Movie Friday

"X-Men: First Class" - James McAvoy, Michael Fassbender, Jennifer Lawrence, Kevin Bacon
No one seems to want to challenge the mighty X-men as this is the only movie opening in wide release today. Having seen some of the reviews, I can't say I blame them. An origin story set in the 60s, "First Class" displays the formation of Professor Charles Xavier's (McAvoy) group of mutant superheroes and the rival mutants they will come to fight, led by Magneto (Fassbender). I confess I wasn't too excited about the casting choices as they came out. I love Fassbender and I am enthralled by Lawrence. But I've never been a fan of McAvoy or Bacon and the rest of the cast is relatively unknown and/or uninspiring (no offense to Rose Byrne or January Jones). That said, my level of interest has grown and grown throughout the last few months as each poster and trailer made its way to the Internet. At this point I'm essentially busting at the seams to check this sucker out and by the time you see this, dear readers, I'll have already finished my midnight viewing. Can't wait.

"Beginners" - Christopher Plummer, Ewan McGregor, Melanie Laurent (limited)
An aging father (Plummed) tells his son (McGregor) that he is both dying of cancer and gay. Not really in for a movie of this depth during the summer but "Beginners" is getting excellent reviews. Plummer and Laurent, also, are a magnificent 1-2 punch.

"Beautiful Boy" - Michael Sheen, Maria Bello, Kyle Gallner
A husband (Sheen) and wife (Bello) are thrown together when their son (Gallner) goes on a Columbine-esque shooting spree. "Rabbit Hole" failed to find an audience and I suspect "Boy" will have to accept the same fate. Tough subject matter to be sure.

Wednesday, June 1, 2011

Movie News Today

Christopher Nolan, Jon Favreau, and a host of other filmmakers have banded together to openly protest DirecTV's new premium on demand service that allows viewers to watch new movies in their own homes just two months after they open. The cost? $29.95 each. I get where these guys are coming from but honestly, I think it's somewhat of a waste of time. The number of people who will pay that much money to see a movie that they A.) could have seen in theaters for $10 and B.) will be able to get on Blu Ray in another month is pretty small from my perspective. If it was $30 a month for unlimited viewing or something similar, that would be a different story.

Thompson on Hollywood takes a brief look at Cameron Crowe's Pearl Jam documentary which I absolutely CANNOT wait to see.

Celluloid Zombie discusses his love for "Doctor Who" and gives a brief primer while he's at it. I believe I'm going to take a shot at one of this show's incarnations this summer and this post definitely has me excited.

PT Anderson ("There Will Be Blood") has added a few faces, including Amy Adams, to the cast of his Scientology-based project. Very interested in this.

And finally, because it's a slow day in the movie industry, a brief sports item. Shaquille O'neal, one of the greatest centers to ever play basketball and at one time the most dominant player in the league, retired today after 19 seasons in the NBA. His usefulness as a player probably expired a year or two ago but Shaq was always good for a laugh and a good time. His legacy will be one of the strangest of the generation. Despite his physical dominance over just about everyone in the league, he always struggled down the stretch of tight games because he famously couldn't make a danged free throw to save his life. It was also a constant question as to just how much work the Big Aristotle was actually willing to put in. He won four championships, three finals MVPs, and one regular season MVP, was named an All-Star 15 times, and led the league in shooting 10 times and scoring twice. Imagine what he could have done if he'd been as dedicated as some of his peers! Maybe more importantly to me, Shaq had an actual sense of humor, a quick wit, and a willingness to turn anything into a joke. He brought fun to a group of people (professional athletes in general and NBA players in particular) who are, on the whole, completely unwilling or unable to have a little well-thought fun. The time was more than right for the big fella to step away but he was a dynamic figure and he will be missed.

Tuesday, May 31, 2011

Blu Ray Review: "Morning Glory"

After losing her job at an early morning New Jersey talk show, Becky Fuller (Rachel McAdams) finds her life at an impasse. Desperate for a break, she accepts a job as the executive producer for Daybreak, once a hallmark of the IBS network that has now all but vanished from the public consciousness. With one host position filled by Colleen Peck (Diane Keaton), Becky exploits a contract loophole to force longtime newsman and current curmudgeon Mike Pomeroy (Harrison Ford) to fill the open seat. Peck and Pomeroy do not click and before too long, Daybreak is on the verge of being cancelled. With one last shot, Becky galvanizes her show with quirky ideas and out of the box thinking, topped off by a Pomeroy news piece that puts the show back on the map. But will her new found success take Becky off to bigger and better things or will the little family she created at Daybreak be enough to hold her in place?

I rooted long and hard for "Morning Glory." I wanted it to be great and in fact, there are several truly strong elements in play here. The tone is refreshingly light and easy; there's very little depth or darkness to the film and I mean that as a compliment. Some movies aren't meant for deeper pools (storylines) and this is one of them. It is colorful and bright which makes Ford's cranky, bitter Pomeroy all the more apparent. McAdams, meanwhile, fits the film's overtones perfectly. She is frantic and all over the place, but overwhelmingly sunny and determined. Perhaps this makes Becky a bit less likable than McAdams' normal character but for me this wasn't so much a detriment to my enjoyment of the film as it was an indication of her ability to create a fitting character, ala Kate Hudson in "How to Lose a Guy in 10 Days." In other words, Becky is supposed to be slightly obnoxious and overbearing. (Admittedly, however, the integrity of this point is in question as my unabashed love for McAdams could definitely overwhelm my sense of reason.) Even Ford, while somewhat wooden (as he has been prone to for the last fifteen years or so), seems to invest in his performance in a way that he hasn't in some time. It's not great, mind you, but at least he's trying.

What holds "Morning Glory" back is its script (written by Aline Brosh McKenna) and director Roger Mitchell's use of said script. Honestly, this movie is a script away from being an excellent film instead of just ho-hum pretty good. The dialogue is often weak; other times it's downright oppressive, severely limiting anything that the actors might be able to do. And while I didn't find "Glory" to be overly cliche, many of the more important scenes and emotional moments are just hollow. The movie moves far too fast, too, jumping from scene to scene with very little to hold it together. It plays out as if Brosh McKenna wrote her script then ripped out every third page and that's what they took into production. It is impossible to connect with the characters or to revel in what should have been witty banter and that robs "Glory" of its real impact. Fun and entertaining, this movie is worth a viewing, to be sure, but it misses out on being the powerhouse it should have been.

Grade: B-

Movie News Today

Forgive the brevity. I'm in a deep funk due to the Mavs losing to the Heat tonight. This funk is likely to take over for the next week or two. Be warned.

Donald Sutherland has been added to the cast of "The Hunger Games" as President Snow, the film's main baddie. Very interesting.

Peter Jackson has officially announced the titles for his "Hobbit" movies. Christmas 2012 could not possibly get here fast enough.

The Independent has an article about the life and work of Terrence Malick.

Flix Chatter has a list of 5 reasons why "X-Men: First Class" should be seen on opening day.

New DVD Tuesday

Drive Angry (2011) - Nicholas Cage, Amber Heard, William Fichtner
A former baddie (Cage) breaks out of hell in order to avenge the death of his daughter and rescue his granddaughter (Heard). Yup, that's actually a movie. One of the great questions in life is how Nicholas Cage still gets semi-legit roles (meaning the movies actually see a theater) and Val Kilmer has to do straight-to-DVD five times a year. Brutal.

Biutiful (2010) - Javier Bardem
This foreign language film follows a man (Bardem) who can commune with the dead and beyond that, I'm not exactly sure what the heck is going on here. Even the summaries and reviews on IMDB are remarkably convoluted. Bardem scored an Oscar nod for this role but most critics seemed to be much more appreciative of his performance than the film as a whole.

Passion Play (2010) - Megan Fox, Mickey Rourke, Bill Murray
Usually I would skip a film like this completely, but this time around the IMDB summary is just too funny to pass up: "An angel under the thumb of a ruthless gangster is saved by a trumpet player down on his luck." And that's not even half the ridiculousness. Two statements/questions about this project. 1.) What terrible thing act did someone catch Bill Murray in to force him into doing this movie? 2.) THIS MOVIE ACTUALLY GOT MADE!!! I'm not a screenwriter but I have to believe that every time a clunker like "Passion Play" gets the green light, 25 writers move back to Iowa.

New to Blu Pick of the Week or Whenever I Feel Like Picking One
American Graffiti (1973) - Richard Dreyfuss, Ron Howard, Charles Martin Smith
A true American classic. This is one of those films that should be set aside and preserved for future civilizations to illustrate just what life was like during this time period. It should also be used to make it clear that at one time, George Lucas wasn't crazy. It's been years since I've seen "Graffiti" but man, I love it.

Also New to Blu
Once Upon a Time in the West (1968) - Henry Fonda, Charles Bronson
One of these days I need to get around to seeing the Leon collection. Blu Ray definitely helps.

Legend (1985) - Tom Cruise, Mia Sara, Tim Curry
Easily one of the weirdest "kids" movies ever. It falls right in line with "Labyrinth" and only slightly behind "Something Wicked This Way Comes" in terms of, "What in the freak were people thinking gearing this towards children?!" FREAKING creepy.

A Clockwork Orange (1971) - Malcom McDowell, Warren Clarke, Patrick Magee
Big Jake (1971) - John Wayne (I'm pretty sure this is my mom's favorite John Wayne movie. Just so you know.)
Rio Lobo (1970) - John Wayne

Also New
True Blood: Season 3 (2010) - Stephen Moyer, Sam Trammell, Anna Paquin
Psych: Season 5 (2010) - James Roday, Dule Hill

And since it's such a down week for DVDs, may I recommend you spend your money on music as Eddie Vedder, My Morning Jacket, and Death Cab for Cutie all have new albums out today. Epic win for music this time around. I'm just sayin'.  

Sunday, May 29, 2011

The Documentary Project - Volume 7: "Restrepo"

Throughout 2007, filmmakers Tim Heatherington and Sebastian Junger followed The Men of Battle Company 2nd of the 503rd Infantry Regiment 173rd Airborne Brigade Combat Team. During their tour of Afghanistan, this group of soldiers were assigned the task of taking and holding the Korangal Valley, one of the most dangerous battlefields in the world. "Restrepo" takes an in depth look at the lives of these courageous men throughout the length of their tour.

I'm not sure I'll ever write a shorter review for a film as stirring as "Restrepo" is. The kind of access that Heatherington and Junger got to shoot this film is unheard of and you see why early on when the camera winds up basically down and in the dirt after the platoon is ambushed along a mountain road. Soon after, the soldiers establish Camp Restrepo (named for the first man in their company who was killed in action) atop a large hill and find themselves caught between the horrifying violence that takes place in the Korangal Valley and the almost-as-bad boredom that sets in between battles. Mixing the footage shot during the tour and interviews done after they returned stateside, Heatherington and Junger do a magnificent job of literally putting the audience into the shoes of these men and displaying just what sort of hell they've been put through. They also manage to pull no punches (including a harrowing scene in which the men are attacked and one of their number dies just off camera) without glorifying the awfulness of war. And in addition to all of that, perhaps the greatest stroke of genius lies in the fact that "Restrepo" is completely void of politics. From the first moment to the last, this film is about the men and nothing else and regardless of your political leaning, it presents a message that we can all get behind.

"Restrepo" is a tough, gritty, REAL look at war and as such, is not for the faint of heart. But if you can muster up the stomach to sit through it, then I highly recommend a viewing. Incredible film.

Grade: A

Movie News Today

The Telegraph provides an interview with "X-Men: First Class" (and the upcoming "Hunger Games" films) actress Jennifer Lawrence.

George Lucas recently talked about a potential "Star Wars" TV show that would take place between "Revenge of the Sith" and "A New Hope." I'm both thoroughly excited and immensely depressed by this. If only I had faith that it would be good!

Man I Love Films takes a look at Christian Bale's top 5 performances. Check it out!

Rail of Tomorrow gives us an exhaustive review of "Tree of Life" which only adds to my frustration that it won't be available to me for weeks. Great review.

Weekend Box Office Results
1. "The Hangover Part 2" - $86.48 million
2. "Kung Fu Panda 2" - $48
3. "Pirates of the Caribbean: On Stranger Tides" - $39.32 ($152.92 million total)
4. "Bridesmaids" - $16.37 ($84.98)
5. "Thor" - $9.37 ($159.71)
6. "Fast Five" - $6.62 ($196.03)
7. "Midnight in Paris" - $1.92 ($2.82)
8. "Jumping the Broom" - $1.9 ($34.18)
9. "Something Borrowed" - $1.84 ($34.76)
10. "Rio" - $1.78 ($134.82)

Friday, May 27, 2011

New Movie Friday

"The Hangover Part 2" - Bradley Cooper, Zach Galifianakis, Ed Helms
The sequel to 2009's SMASH HIT (highest grossing R-rated comedy ever), "Part 2" finds the boys reliving their nightmare, this time in Bangkok. "Hangover" made absolute stars out of these guys but "Part 2" plays out more like a paycheck film than anything else. And that's fine. You gotta pay the bills, after all. But there was never much doubt that this couldn't be as good (or original) as the first one. Having already seen it, my expectations were met: funny but not anywhere close to the level of the last one. Meh.

"Kung Fu Panda 2" - Jack Black, Angelina Jolie, Jackie Chan
Another sequel to a big summer hit, "Panda" centers around Po (Black) and his Furious Five fighting a battle in China and discovering the secrets to Po's past. I quite liked the first "Panda" but didn't see it until it hit cable. I found it to be fun and at least half smart which is about all you can expect from a non-Pixar animated film these days. In some ways, I think it laid the groundwork for "How to Train Your Dragon" which is, for me, Dreamworks Animation's greatest achievement. I'm interested in seeing this but I imagine that, like its predecessor, I'll wait for a home viewing.

"Tree of Life" - Brad Pitt, Sean Penn, Jessica Chastain (limited)
According to IMDB, this centers around a man (Penn), his upbringing in the 50s, his relationship with his father (Pitt), and his search for the meaning of life. But given that this is a Terrence Malick film, there's really no telling what it's about until you've actually seen it and even then, you might be grasping at straws. Malick isn't my favorite director but there's no questioning his brilliance and his vision. He makes the films he wants to make and doesn't worry about making them accessible, which is part of his genius. The wide range of reviews and grades seems appropriate and I definitely hope I get a shot to see this before too long. Curse you, Limited Release!

Movie News Today

Looks like Zach Braff has joined the cast of "Oz, the Great and Powerful." Remember when Braff was a major name in Hollywood? I've always been a fan of the guy and I think he's got skill. But man his career has hit a wall. Hopefully this will invigorate him.

David O. Russell ("The Fighter") has pulled out of the video game movie adapation "Uncharted." Bit of an odd movie as, at one time, his "Fighter" star Mark Wahlberg was set to play the lead. Maybe this means they'll hand the role over to Nathan Fillion after all.

Empire has an interview with JJ Abrams and Steven Spielberg as they discuss "Super 8." Other than "Harry Potter," I'm not sure there's a summer movie I'm looking forward to more than this one right now. Everytime I see the trailer I get a little more stoked.

In honor of ESPN's incredible 30 for 30 documentary series reaching DVD last week, IFC gives us five sports stories that they'd like to see discussed in a doc. Love it.

FlixChatter takes a look at the career of Kevin Costner, a guy I've sheepishly admitted to being fascinated with despite his long string of awful movies. I'm only half ashamed to admit that if "The Postman" or "Waterworld" are on TV, there's a 75% chance I'll stop in for a while.

Thursday, May 26, 2011

Blu Ray Review: "I Am Number Four"

John Smith (Alex Pettyfer) is an alien. A refugee hiding out on planet earth and on the run from a vicious rival species that destroyed his world, John moves from town to town with his only friend, Henri (Timothy Olyphant). a warrior from his planet who serves as his guardian and poses as his father. There are nine refugees on earth and the enemy race (called Mogadorians) is systematically tracking them down one by one. John, naturally, is Number Four and knows he's next on the list. After moving into a small town in Ohio, John meets Sam (Callan McAuliffe), his first true friend in years, and falls for Sarah (Dianna Agron). His relative happiness, however, is quickly unraveled with the Mogadorians show up and force a dynamic battle in which he is joined by Number Six (Teresa Palmer) to create an unstoppable team.
The big problem with "I Am Number Four" is readily apparent after the first two scenes. Scene one involves the nighttime attack and subsequent murder of a pre-adolescent alien (Number Two). Scene two shows John and his Florida buddies riding jet skis while a Kings of Leon track blares in the background. This movie has no identity. It is all at once a teen drama, a sci-fi thriller, and a horror/suspense film with a coming-of-age-in-the-Midwest undercurrent. Each scene seems to combat with the one before and the one after and no middle ground is ever established. I quite like the work of director DJ Caruso ("Disturbia") in many ways but he has an absolute mess on his hands here and the constant mix of genres is like drinking a Suicide, that mix of soda that you make at a pizza buffet when you're 10. It's awesome when you're a kid, not so much when you're 28. Is it "Twilight," "Star Trek," or "Hancock" because it can't be all three.

This convoluted mix really frustrates me, too, because, nerd that I am, there are some really cool sci-fi ideas on display here. It bums me out that these concepts are wasted on a movie that plays out like an episode of "One Tree Hill." Olyphant is solid even if he isn't given much to work with script-wise and Agron brings the charm she exhibits on "Glee" to the big screen with relative ease. I would also go so far as to say that the relationship between John and Sarah is, shockingly, not that bad. Plus, the soundtrack is killer, even if it is a bit too hip for its own good.

None of that is enough, however, to even come close to overshadow the nails-on-a-chalkboard acting of the rest of the cast. I'll stop short of calling Pettyfer a bad actor; he's just unseasoned. This is one of only nine credits to his name and obviously he's gotten where he is based on looks, not ability. In my mind, there's no question that he has some talent; it'll just be up to him (and the roles he takes) to determine if that talent can be brought out or not. McAuliffe, meanwhile, is as one-note as they come and Palmer is just...I mean, awful. Since this script was obviously not well written, perhaps I should give her the benefit of the doubt but seriously, her limited lines are by far the worst moments of the film, only challenged by any scene that involves any of the supporting/background characters from smalltown Ohio. Painful. I tried to find the good in "I Am Number Four" but there just wasn't enough to grasp hold of as I slipped further and further into the void of worthlessness.

Grade: C-